Author Interview – Aderyn Wood

AderynWood (2)In my continuing series of author interviews, I’m excited to introduce Australian writer and fellow cat-lover, Aderyn Wood. After reading and thoroughly enjoying her novella, The Viscount’s Son, when I learned that she had a new book coming out—a novel this time—my interest was piqued. I asked Aderyn to chat with me about her new release.

 

 

The Borderlands - E-Book Cover[CJ] Aderyn, The Borderlands (gorgeous cover, by the way) is very different from The Viscount’s Son. Apart from being a novel length work, it’s also a different genre. I don’t often foray into YA, but I do enjoy a good read, and this is definitely a good read. In your own words, what’s the most important thing you’d like readers to know about The Borderlands?

[Aderyn] Thanks CJ. I love the cover too! The artist Taire Morrigan worked hard to create a visual representation of a key thread in which Dale undertakes a journey to find the mystical Borderlands – on her little sailboat called ‘Joy’.

This is a tough question. I think I’d like readers to know that The Borderlands is probably more of a coming of age story than a typical YA fantasy. It’s also an adventure story. YA fantasies tend to focus on a secret magical talent of the protagonist; and romance. Of course Borderlands has these elements but I wanted to add a sense of adventure to this story too. So Dale goes through a number of challenges, physically, emotionally and mentally, as she embarks on an adventurous journey, all of which enables her to learn about who she truly is and develop as a character.

[CJ] The artist definitely did a great job of bringing that thread to life. I did love following Dale’s adventures in Borderlands, as well as getting to know her. At the beginning of the story, she is a loner who doesn’t seem to fit in anywhere, even at home. She’s also very easy to invest in because she has such a great voice. Of course, there’s a reason for her not fitting in, which goes beyond the usual teenage angst (which I won’t go into for fear of giving out spoilers) but I loved her independent spirit and wit right from the start. What do you like most about her?

[Aderyn] I love how smart she is and how she can see through to the core of a person’s identity. In the story she befriended a couple of other misfits in the form of two old homeless people – Gareth and Joan. Gareth and Joan live in an abandoned old hospital by the river Clyde (set in Scotland), and Dale spends much of her time with Old Man Gareth – her only real friend. Through them, Dale shows us how she sees people for who they truly are inside; she doesn’t judge according to appearance or social status. She values people for who they are. But this also means that she can spot cruelty and pretention easily, and she has little tolerance for people like that. Unfortunately for Dale, most of the students at the exclusive international school she attends (St Nino’s) are bullies or snobs.

[CJ] Her relationship with Gareth definitely shows us the depth of Dale’s character. Many teenage female characters are written as weak/needing help, only interested in fashion and boys (one of the main reasons I don’t tend to read a lot of YA). Did you deliberately set out to overturn that stereotype?

[Aderyn] I didn’t set out to challenge any stereotype, and if I’m going to be honest, I don’t read a lot of YA myself. I simply wrote this story as truthfully as I could, about a girl who felt so different from her family that it caused great tension, especially as she is not able to fit in with peers at school. I set out to show how someone like that would cope in such a situation. Her mother, a fervent social climber, doesn’t understand Dale and would prefer that she did something more fashionable with her hair, or went shopping, rather than reading or painting. Dale drew on the strengths she did have, particularly her intelligence, curiosity and sense of adventure, to overcome the challenges that came her way.

[CJ] You convey all those things about Dale very well. More than anything, The Borderlands struck me as a rite-of-passage story. Along with the reader, Dale learns a lot about herself and her strengths as well as who she is. Is that the kind of story you set out to write when you began, or did it develop as you wrote?

[Aderyn] I agree, that’s how I see this story. While I didn’t set out to write this initially, it very quickly became apparent that the story was all about Dale and how she comes of age. The second book in the series begins a year after the events at the end of Book One, and readers will see a different, more mature Dale, but will understand how she grew to be that person through the trials she experienced in this first book of the trilogy.

[CJ] Great! I will look forward to seeing the more mature Dale, and how her character develops from here. I’m sure readers will love seeing her development in The Borderlands, which is available now on Amazon. I know you’re an indie publisher, Aderyn. There’s a rather steep learning curve in indie publishing—which I found out through releasing my own book of short stories. What did you find the most useful thing to learn through publishing The Viscount’s Son that helped you with The Borderlands?

[Aderyn] The most useful thing I’ve learnt so far is to just keep writing. Yes, it’s wonderful when readers buy your book and even better when they review it or email you with messages saying how much they enjoyed it – that truly is wonderful! But the reality is that indies are mostly unknown authors and they are not going to sell millions or attract a lot of attention initially. According to my reading, most indie authors only start receiving a regular income (and not even one they can necessarily live on) after they have released 5-15 books. So I just keep writing.

[CJ] That feeling is great, isn’t it? I love hearing from people who read my writing. But you’re so right—we have to keep writing. What’s the best piece of advice you could give to a writer poised to take the plunge into indie publishing?

[Aderyn] I think it’s important to be positive. l have seen a few authors complaining about sales or the whole publishing industry in blog posts and forums. While constructive criticism of publishing certainly has its place, I think being too negative can make authors come across as bitter. I can feel doubtful and deflated at times, but a positive outlook gives a better impression to potential readers. I really believe in the saying ‘Nothing succeeds like success’. So look at every sale, every review and every new reader as a success and celebrate it.

[CJ] That’s so true, Aderyn. I think people respond better to a positive attitude. Thanks for taking the time to talk to me! I wish you all the best with your novel, and I’m more than pleased to recommend it to anyone who loves a good story and great characters. I can’t to see what’s in store for Dale next.

[Aderyn] Thanks CJ! I always enjoy reading your author interviews, you ask great questions. I’m also looking forward to seeing what will happen with Dale next! I hope to release the second book in the series next year.

[CJ] I’ll be watching out for it. Well that’s it for this interview. I hope you have enjoyed learning about Aderyn and The Borderlands as much as I did.

Aderyn Wood enjoys reading and writing fantasy fiction most. Her debut publication, ‘The Viscount’s Son’ is a paranormal novella and has earned many five star reviews on Amazon and Goodreads. ‘The Borderlands: Journey’ is her second publication and she hopes to release another stand-alone fantasy book later in the year. Aside from fiction, Aderyn loves gardening, cooking and drinking the odd glass of pinot noir. Like most fantasy authors, Aderyn enjoys the company of her cat, who stays by her side during the long and lonely hours of writing.

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Where’s the fatted calf?

Or whatever is supposed to get roasted when the prodigal returns?

I spent a while blogging over at Weebly, and while I loved being able to customise my blog with a much friendlier interface than WordPress, I found connecting with readers and other bloggers more difficult.

So, I came crawling back with my tail between my legs. Or something.

I’ll be writing my third #WriteMotivation update later in the week, and hopefully next weekend I’ll have an author interview to post.

Meanwhile, please enjoy a reposting of an author interview with my good friend, Ashley Capes:

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In another of my author interviews, I am delighted to be able to introduce one of my favourite writers and good friend, Ashley Capes. When he’s not writing, Ashley teaches Media and English in Victoria, Australia, where he also runs an editing service with his wife, Brooke: http://closeupediting.com/

Picture Ashley’s debut novel, City of Masks, was published in June 2014 by Snapping Turtle Books.

CJ: Ashley, how excited are you right now?

Ashley: Through the roof! It’s hard not to be excited each time I think of it. After working toward the goal of having a novel published for the last thirteen or so years, it’s a (wonderful) shock to be talking about having a book out!

CJ: I can imagine! I’m excited for you, who knows how giddy I’d be if it was my own novel. I know you’re no stranger to publication, though. You have several poetry books out in the world, so how different was the process for City of Masks?

Ashley: Vastly – and yet similar too. Both required me to really put the nose (or was it the whole face?) to the grindstone and really think about the choices I make as an author. Loosely, for poetry it often comes down to word choices, whereas for City of Masks, I had to think on a larger, story scale. That’s a bit of a generalisation, of course, but it’s fairly apt.

The other difference was for poetry, I’ve built up a small catalogue. My next poetry collection will be my fifth and so it feels like familiar ground, whereas in fiction, everything feels newer. More daunting perhaps. And so I worry extra, about how the novel will be received, or whether I truly nailed a particular scene. After couple of years working on a project, your objectivity is quite hampered.

CJ: I think many of us can identify with that, as writers—objectivity is hard to keep hold of when you’ve worked on something for so long. However, having had the honour of beta-reading City of Masks, I can say quite objectively that it is an excellent read, and I can’t wait to recommend it to everyone. I don’t want to give spoilers, so please tell us a little about City of Masks.

Ashley: Thank you, Cheryl!

In brief, it’s an epic fantasy which follows a mercenary, falsely accused of a murder that draws him into a struggle for a bone mask of great power, set in an ancient city perched on an unforgiving coast. There’s what I hope are some interesting magic systems in there too and a question of conflicting loyalties that many of the main characters face.

CJ: Great summary. If I didn’t already know what the novel was about, that would definitely make me want to read it. That said, even though I do know, I’m still looking forward to reading the finished product. Where did you get the inspiration for the story?

Ashley: I think it’s easiest for me to answer in regards to the setting, which is directly inspired by the city of Amalfi. Both the idea of the historic one and modern day Amalfi, which my wife and I were lucky enough to visit in 2011. The lemon groves in the mountains and the sea, so close to the town, really captured my eye.

Elsewhere, I suspect I’ve been inspired by the struggles of people who try to do what’s right in the face of rough odds.

CJ: Your description of Amalfi makes me want to go there! And everyone loves to read about people trying to do what’s right, so I think you have a winning combination there. Who’s your favourite character? I have to say, I have a soft spot for Notch. Although, they are all very well rounded and interesting.

Ashley: Tough question! (And thank you again – awesome to hear that about my characters 🙂 )

I’m having a hard time – can I pick two? I thought I knew the answer to this question the moment I read it, but I’ve been thinking about a bit and I’ve changed my mind. One definite name now comes to mind – Lupo is one of my favourites. He’s one of the antagonists and it’s something about his drive and the fact that he’s difficult to ruffle that makes him a favourite.

I think I could add about five more names, but I Notch probably scrapes ahead. He’s not one to tolerate inactivity and he’s quite an open fellow beneath his stern exterior, which made him great to write.

CJ: Lupo is definitely an interesting character, I found him intriguing, even though he is an antagonist, which is always a mark of good characterization. I know that City of Masks is the first in a trilogy, how far ahead are you in writing terms?

Ashley: I’ve recently finished the first draft of Book Two, The Lost Mask and have my outline all set for Book Three (Greatmask). So not too bad I feel. There’s still a lot of work to go, but I’ve found Lost Mask a lot smoother to write, so I don’t anticipate it taking as long to whip into shape as City of Masks.

CJ: I’m glad to hear that! I can’t wait to read the next part of the story. And it’s great to see that you are finding the work going smoother as you continue with the story. I’m thinking that you’re putting into practice what you learned from writing City of Masks, is that correct?

Ashley: Absolutely, especially storytelling aspects like pacing or controlling the flow of information to the reader. So, when to hold back, and when to reveal. I think that balance is tough to strike and hopefully I’ve handled it well in City of Masks, but I feel I’m handling it better (or at least, with less revision needed) in The Lost Mask. In fact, having an awesome writing group for help and support really helped me with those things 🙂

 CJ: With that in mind, what advice do you have for writers who are working on that first novel?

Ashley: To explore the writing process until you settle on a method that works for you.

Read widely about the way writers work, then try their methods. Adapt. Twist things around until it works for you – it took me a fair while to figure that out. There isn’t any one single ‘correct’ way to write. Only what works for you. Not to say adjustments to your process cannot be made, but perhaps don’t buy into one method wholesale. As an example, I’ve found that the percentage of my process that could be called ‘pantsing’ vs the percentage of ‘plotting’ has changed over the years. I’m now close to 60-40 with pantsing still being the dominant side. But I used to be a complete panster. Now, my current process allows for a comfortable level of output and discovery, so I’m pretty happy with it.

 CJ: That’s great advice ‘only what works for you’ is an adage we all need to remember when reading writing advice. Well, Ashley, I’ve enjoyed our chat. Thank you for taking time to answer all my questions. Once you have a release date and purchase information, I’ll be sure to let everyone know. Meanwhile, if anyone would like to check out Ashley’s poetry, you can find it at the following links:

http://ashleycapes.com/

http://www.ipoz.biz/Titles/SOS.htm

http://www.ginninderrapress.com.au/poetry.html